Barney Miller

Barney Miller
Format Sitcom
Starring Hal Linden
Barbara Barrie
Abe Vigoda (1975-1977)
Max Gail
Jack Soo (1975-1978)
Gregory Sierra (1975-1976)
James Gregory
Steve Landesberg (1976-1982)
Ron Carey (1976-1982)
Ron Glass
Country of origin Flag of the United States United States
No. of seasons 8
No. of episodes 168
Production
Running time 30 minutes per episode
Broadcast
Original channel ABC
Original run January 23 1975May 20 1982
External links
IMDb profile

Barney Miller was an Emmy and Golden Globe-winning comedy television series set in a New York City police station that ran from January 23, 1975 to May 20 1982 on ABC. It was created by Danny Arnold (who also worked on Gilligan's Island and The Brady Bunch) and Theodore J. Flicker. The show was frequently directed by Noam Pitlik.

Premise

Captain Miller tries to remain sane while running a police station manned by pessimistic, nearing-retirement Jewish-American Philip K. Fish, naive Polish-American Stanley "Wojo" Wojciehowicz, suave African-American Ronald Nathan Harris, philosophical Japanese-American Nick Yemana (who makes awful coffee every day), diminutive (and obsequious) detective-wannabe Officer Carl Levitt and old-school, rambling superior Chief Inspector Franklin Luger. Neurotic Puerto Rican Detective Chano Amanguale was replaced by intellectual Arthur P. Dietrich from the third season on.

The show's focus was split between the detectives' interactions with each other and with the suspects and witnesses they detained, processed, and interviewed. Some typical conflicts and long running plotlines included Barney's frustration with red tape and paperwork, his constant efforts to maintain peace, order, and discipline, and his numerous failed attempts to get a promotion; Harris's preoccupation with the writing and publication of his novel, and his inability to remain focused on his police work; Fish's incontinence and reluctance to retire; Wojciehowicz's impulsive behavior and love life; Luger's morbid nostalgia for the old days with partners Foster, Kleiner and Brown; Levitt's (eventually successful) quest to be promoted to detective; and the rivalry between the precinct's resident intellectuals, Harris and Dietrich.

Cast

Recurring characters

Barney's family

In addition to Barney's wife Liz (played by Barbara Barrie), recurring characters included Barney's son David (Michael Tessier) and daughter Rachel (Anne Wyndham). After two seasons, Barney's family was largely written out of the show, although Ms. Barrie would continue to make very occasional guest appearances for the remainder of the series run, and Ms. Wyndham would also reprise her role in one later episode.

Other officers and staff

Seen in occasional recurring roles at the 12th Precinct were other officers and staff, including:

12th Precinct regulars

Regular complaintants, habitues of the 12th Precinct's holding cell, or other people who regularly dropped by, included:

Awards

Barney Miller won the DGA Award from the Directors Guild of America in 1981.

The series won a Primetime Emmy Award for Outstanding Comedy Series in 1982, after it was concluded. It also won Primetime Emmy Awards for Outstanding Writing in a Comedy Series in 1980 and Outstanding Directing in a Comedy or Comedy-Variety or Music Series in 1979, and was nominated for numerous others.

It won the Golden Globe Award for Best Television Comedy or Musical Series in 1976 and 1977, and was nominated for various other Golden Globe Awards.

The show won the Peabody Award in 1979.

Pilot

The series sprang from an unsold television pilot, The Life and Times of Captain Barney Miller, that aired on August 22 1974 as part of an ABC summer anthology, Just for Laughs. Linden and Vigoda were cast in their series roles; no other eventual cast members were present. Abby Dalton played Barney Miller's wife, Liz. The pilot script was later largely re-used in the debut episode "Ramon".

Opening music

The distinctive opening notes of the theme song's bass line, performed by studio musician Jim Hughart, [1] are played over a shot of the New York skyline (with a garbage barge being towed in the foreground, from season-two on) followed by shots of the characters. Several slightly different versions of the theme song featuring minor variations in the song's composition and performance were used during different seasons. The closing credits featured a different shot of the skyline.

Production

As the show progressed (and especially by the final seasons), the program became unusual for its increasing resemblance to a stage play, in that its scenes almost never strayed from the single set of the precinct station's squadroom (with its prominent open-barred holding cell) and Miller's adjoining office. Almost all of the action and dialog took place on this single set. Characters came and went, but they were virtually never shown outside or in other buildings. Moreover, each episode in the later seasons usually took place within the course of a single workday. Thus, Barney Miller tended to obey two of the three classical unities of drama, unity of place and unity of time. The third unity, unity of action, was not followed, since each episode had multiple subplots.

The show became notorious among television studios for its marathon taping sessions.[citation needed] In the beginning, it was taped in front of a studio audience. After the audience left, creator and executive producer Danny Arnold would begin to (sometimes heavily) rewrite and restage scenes; a taping session that began in the afternoon or early evening would then continue on into the early morning hours. Max Gail referred to this in the Jack Soo retrospective episode; he remarked that one of the clips shown was a scene that "we finished around 2:30 in the morning." The series stopped using a studio audience after the first three seasons.[citation needed]

The debut of the series made an impact on another series, The Six Million Dollar Man. In November 1974, two months before Barney Miller became a weekly series, the science fiction show had aired an episode entitled "The Seven Million Dollar Man" that introduced a villain named Barney Miller. When this character made a return appearance in the fall of 1975 in an episode entitled "The Bionic Criminal", the character's name was changed to Barney Hiller.[citation needed]

Ratings

Trivia

  • Some of the show's creative staff — though none of the main cast — went on to make the series Night Court, which, while also popular, long-running, and similar in many key themes (including the bass line at the beginning), did not receive the same critical acclaim. A number of character actors who appeared on Barney Miller also appeared on Night Court.

DVD releases

On January 20 2004, Sony Pictures Home Entertainment released the first season on DVD in Region 1. The second season was released January 22 2008, four years after the first season's release.

DVD Name Ep # Release Date
Season 1 13 January 20 2004
Season 2 22 January 22 2008

Footnotes

  1. David Meeker. Jazz on the Screen. Library of Congress. Retrieved on 2008-02-25. Page 82

External links


Categories:
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1970s American television series
1975 television series debuts
1980s American television series
1982 television series endings
American Broadcasting Company network shows
American television sitcoms
Fictional police officers
Television series by Sony Pictures Television
Television shows set in New York

History

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